Bem-vindos à Espécie Humana
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Translation in the end
A story has been told us. And we’ve learned. One of our characteristics as human beings is knowing how to learn, but we can also unlearn.
And learn again.
And what if we learned to step carefully on the ground, to take it easy, to not leave trades?
Stop. Make silence. Have time. Utopias. Make silence. Have empty spaces. Dream. Admire. Make silence. Invent life possibilities. Invent new ways of action.
Say YES. Sing the need of the present.
Delay the burn of bodies, delay the holocaust.
Wake up. Tell the story differently. Throw a party, make a theater play or an epitaph.
Bem-vindos à Espécie Humana
from an original idea by Benoit Lambert
Text and translation: Giovana Soar
Direction and Lightening Design: Nadja Naira
Direction Supervision: Marcio Abreu
Cast: Cássia Damasceno and Giovana Soar
Costumes: Ranieri Gonzalez
Original Soundtrack: Jo Mistinguett
Imagens on Video: Pedro Fiuza and Aristeu Araújo
Scenery: Fernando Marés
Visual Programation: Mical Kairós
Press Release and Social Midia: Luísa Bonin
Photos: Luísa Bonin and Amanda Vicentini
Production Direction: Helen Kaliski
Production Assistant: Kathy Alves
Sound Operator: Jo Mistinguett
Lightening Operator: Gabriela Valcanaia and Henrique Linhares
Costume Confection: Marcelo Salles
Scenery Technician: Fabiano Hoffmann
Artistic Direction: Marcio Abreu
Production Direction: José Maria and Giovana Soar
Technical Direction: Nadja Naira
Administrative and Financial: Cássia Damasceno
Administrative Assistant: Helen Kaliski
Technical: Henrique Linhares
Intern: Kathy Alves
General Services: Tereza Guimarães
ABOUT COMPANHIA BRASILEIRA DE TEATRO
companhia brasileira de teatro is a collective of artists from several regions of the country founded in 2000 by the dramaturge and director Marcio Abreu in Curitiba where its headquarters takes place. Its research is oriented mainly to new forms of writing and contemporary creation. Among its main accomplishments are plays with an own dramaturgy, written in collaborative processes and simultaneous to the spectacles creation like PRETO (2017; PROJETO bRASIL (2015), Vida (2010), O que eu gostaria de dizer (2008), Volta ao dia… (2002).
There is still a serie of creations from the work of unpublished authors in the country such as: Krum (2015) by Hanoch Levin; Esta Criança (2012) by Joël Pommerat; Isso te interessa (2011) from the text Bon, Saint-Cloud by Noëlle Renaude; Oxigênio (2010) by Ivan Viripaev; Apenas o Fim do Mundo (2006) by Jean Luc Lagarce; Suíte 1 (2004) by Phillipe Myniana.
Its most recent play is and adaptation of the work Platonov by Anton Tchekov entitled POR QUE NÃO VIVEMOS? (2019)
The company still makes frequent exchanges with other artists in the country and abroad. In 2014 premiered in France the spectacle Nus, Ferozes e Antropófagos a partnership with the French collective Jakart.
Keeps an active repertoire that circulates frequently. Received the main art awards of the country.
For further information acess: www.companhiabrasileira.art.br
This play premiered in November 14th 2019 at Teatro Novelas Curitibanas – Claudete Pereira Jorge, Curitiba-PR.
Project made with Programa de Apoio de Incentivo à Cultura – Fundação Cultural de Curitiba and Prefeitura Municipal de Curitiba.
Thanks: Casa Quatro Ventos, Grifo Arquitetura, Lis Lara, Frederico Pedrozo, Amy Kipper, Marulho Soluções Sonoras, Tamanduá Iluminação, Marcelo Play, Felipe Storino, João Marcelo, Rodrigo Ferrarini, Edson Rocha, Benoit Lambert, Rafael Bacelar, Francisco Marciano, Café do Teatro, Sofia Helena, Sirlei Aires, Igor Spanger